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・ Carmen Amoraga
・ Carmen Ana Culpeper
・ Carmen and Camille
・ Carmen Anderson
・ Carmen Apicala
・ Carmen Argenziano
・ Carmen Argibay
・ Carmen Aristegui
・ Carmen Arriagada
・ Carmen Arvale
・ Carmen Aub
・ Carmen Babiano Méndez-Núñez
・ Carmen Balcells
・ Carmen Barajas Sandoval
・ Carmen Barbieri
Carmen Baroja
・ Carmen Barradas
・ Carmen Barth
・ Carmen Basilio
・ Carmen Basin
・ Carmen Beauchamp Ciparick
・ Carmen Becerra
・ Carmen Beltrán
・ Carmen Belén Richardson
・ Carmen Berenguer
・ Carmen Bernos de Gasztold
・ Carmen Berríos
・ Carmen Binladin
・ Carmen Blacker
・ Carmen Blanco


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Carmen Baroja : ウィキペディア英語版
Carmen Baroja
Carmen Baroja Nessi (1883, Pamplona- 4 June 1950, Madrid) was a Spanish writer and ethnologist who wrote under the pseudonym ''Vera Alzate''. She was the sister of the writers Ricardo Baroja and Pío Baroja, and mother of the anthropologist Julio Caro Baroja and film director Pío Caro Baroja.
==Early life==
Baroja was the youngest child of Serafin Baroja, a Basque writer and poet who made his living as a mining engineer, and Carmen Nessi y Goñia, a woman of Basque and Italian descent. At the time of her birth, her father was editing ''Bai, Juana, Bai'', the first (Basque-Castilian) bilingual periodical to be published in Pamplona. When it closed down after six issues, her father went back to his profession as a mining engineer and took the family to Burjassot near València, Cestona in Guipúzcoa, and San Sebastián.
In 1894, her family moved to Madrid to help her aunt, Juana Nessi, in her bakery, Viena Capellanes, after the death of her husband, Matías Lacasa. Her early education was at Catholic girls' schools, with private lessons in French and music. Thanks to her father's love for theatre and music she regularly attended concerts and theatrical productions. At this time, both her brothers were gaining prominence on the cultural scene, with Ricardo becoming recognized as a painter and Pío having his first literary works published. Through them, she came into contact with artists, writers and intellectuals who were shaping the new cultural world of Spain.〔Sarah Leggott, ''The Workings of Memory: life-writing by women in early twentieth-century Spain'', (2008), p. 46-47〕
In 1902, she contracted typhoid fever and her brother Pío recommended that she go to the Monastery of El Paular in the Sierra de Guadarrama. After fully recovering, she returned to Madrid and despite her mother's opposition, she began to work with metals and enamels. In 1906, she went to London and Paris with Pío and studied art at the student residence of Jacqueline Paulhan, whose husband was the aviator Louis Paulhan. When she returned to Madrid, she devoted herself entirely to her work as a goldsmith artisan making jewelry as well as a reputation for herself.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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